Hora Police Film

In the realm of Sri Lankan cinema, the year 2016 brought forth "Hora Police," a cinematic creation directed by Suranga de Alwis. The film is a testament to Suranga de Alwis' multifaceted talents, as he not only directed but also contributed to the screenplay, dialogue, and story, ensuring a cohesive and engaging narrative. The cast of "Hora Police" is led by the versatile Mahendra Perera, who portrays the character of Sergeant Suwandarathna, also known as Tiger. His performance adds depth and authenticity to the film's central character. Priyantha Seneviratne takes on the role of Minister Gajasinha, while Ariyasena Gamage portrays the character of DIG. Gangu Roshana embodies the role of Deepth, a Police Inspector, with conviction. Dhanuskha Iroshani brings life to Pushpa, Suwandarathna's wife, and Samanthi Lanerole portrays Susila, Suwandarathna's mother. Mark Samson, D.B. Gangodathenna, and Eardley Wedamuni contribute their talents, each adding layers to the film's ensemble of characters. The film's supporting cast includes Samantha Mayadunne, Sumita Mudannayaka, Jeewan Saptharanga, and more, all of whom play vital roles in shaping the narrative. Their collective effort enriches the storytelling experience. Sarath De Alwis's music serves as the emotional backdrop of "Hora Police," enhancing the narrative's depth and resonance. His compositions evoke a range of emotions, complementing the story's twists and turns. Cinematography, a visual art form, is expertly handled by Thusitha Anuradha, who captures the essence of the narrative with precision and creativity. Editing, a crucial element in post-production, is skillfully executed by Ruwan Weerasinghe, ensuring the film's seamless flow and engaging pace. The film's art direction, led by Saman Padamakumara, contributes to creating the visual world in which the characters exist. The makeup department, helmed by Chamara Niroshan, transforms the actors into their characters, enhancing the film's authenticity. Sound engineering, a critical component in cinematic storytelling, is in the capable hands of Kalinga Gihan Perera, ensuring that every word and sound is delivered with clarity and impact. Visual effects, an increasingly important aspect of modern cinema, are skillfully executed by Ruwan Weerasinghe, adding to the film's visual appeal. The editorial department, with Ananda Bandara as the colorist, contributes to the film's overall aesthetic. The music department, featuring playback singers H.R. Jothipala, K. Sujeewa, Buddika Ushan, and Latha Walpola, enhances the film's soundtrack with their melodious voices. In conclusion, "Hora Police" is a cinematic creation that showcases the talent and dedication of its cast and crew. Under the guidance of director Suranga de Alwis, the film weaves a compelling narrative enriched by powerful performances, evocative music, stunning cinematography, and meticulous craftsmanship. This film is not just a piece of entertainment; it is a testament to the creative spirit of Sri Lankan cinema and its ability to engage and captivate audiences with its storytelling prowess. "Hora Police" stands as a significant chapter in the country's cinematic legacy, a testament to the rich storytelling tradition of Sri Lanka.